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Devotions to Pentecost: Their Eyes Were Opened (Luke 24:13-31)

May 11, 2014

Now that same day two of them were going to a village called Emmaus, about 7 miles from Jerusalem. They were talking about everything that had happened. As they talked and discussed these things with each other, Jesus himself came up and walked along with them; but they were kept from recognizing him.

He asked them, “What are you discussing together as you walk along?” They stood still, their faces downcast. One of them Cleopas, asked him, “Are you only a visitor to Jerusalem and do not know the things that have happened there in these days?” 

“What things?” he asked. “About Jesus of Nazareth,” they replied.

“He was a prophet, powerful in word and deed before God and all people. The chief priests and our rulers handed him over to be sentenced to death, and they crucified him; but we had hoped that he was the one who was going to redeem Israel. And what is more, it is the third day since all this took place. In addition, some of our women amazed us. They went to the tomb early this morning but didn’t find his body. They came and told us that they had seen a vision of angels, who said he was alive. Then some of our companions went to the tomb and found it just as the women had said, but him they did not see.”

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He said to them, “How foolish you are, and how slow of heart to believe all that the prophets have spoken! Did not the Christ have to suffer these things and then enter his glory?”

And beginning with Moses and all the prophets, he explained to them what was said in all the scriptures concerning himself. As they approached the village to which they were going, Jesus acted as if he were going farther. But they urged him strongly, “Stay with us, for it is nearly evening; the day is almost over.” So he went in to stay with them.

When he was at the table with them, Jesus took break, gave thanks, broke it and began to give it to them. Then their eyes were opened and they recognized him, and he disappeared from their sight.

These disciples do not recognize the risen Jesus because he is not what they are expecting.  All that Jesus can offer them in and through his resurrection is beyond their imagining.  In this encounter, Jesus continues to care for his community – teaching them, breaking bread with them.  He shows them that the Word of God is alive – it breathes life into us and allows us to move forward in our witness. He takes them back to the beginning of scripture and all that he taught them during his life. They do not understand the fulfillment of God’s Word so their eyes are kept from recognizing him.

It is in the midst of fellowship and communion that their eyes are opened. Each time our church shares in the breaking of bread together, Jesus is made known to us. We see Jesus for who he is: his body broken that our broken lives and broken world may be made whole again.

Aside

April 24, 2014

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“Woman,” he said, “why are you crying? Who is it you are looking for?” Thinking he was the gardner, Mary said, “Sir, if you have carried him away, tell me where you have put him and I will get him.” Jesus said, “Mary!” She turned to him and cried out in Aramaic, “Rabboni!” (which means Teacher). Jesus said, “Do not hold on to me, for I have not yet returned to the Father. Go instead to my brothers and tell them, ‘I am returning to my Father and your Father, to my God and your God.’” Mary Magdelene went to the disciples with the news: “I have seen the Lord!” And she told them that he had said these things to her.

In the earliest hours of Easter morning, Jesus reveals himself to Mary. Seeing a living Jesus, she cries and reaches out to him. But Jesus commands her not to hold on to him. Why would the Lord say that to Mary knowing that she would desire comfort and reassurance after the terror of the night?

It is as if Jesus is telling Mary, and so us, not to contain or limit Him – to cast off what is known and safe. Let me be who I am made to be. Let me do what I am made to do.

The revelation of the resurrected Jesus signifies His transformed relationship with Mary. In a tangible way, Jesus moves Mary away from His physical presence towards a spiritual relationship. And this is good news for us too: we may not have the physical Jesus with us in each day, but He has given us the gift of His Spirit to guide and comfort us.

In that moment, Mary, clouded by grief, may assume that Jesus has returned as He was before. That life and ministry can go back to how they were before His death. That nothing has changed.

But we, like Mary, cannot desire for life to remain the same. Without Jesus’ death and resurrection, we are still separated from God. Jesus invites Mary, and us, into a right and reconciled relationship with God. “My Father is your Father, my God is your God.” To know Jesus, to be in relationship with Him, is to know God the Father and be known by Him.

Jazz in Sacred Space

March 26, 2014

The jazz trumpeter steps up to the microphone. Light outlines his horn. With closed eyes, he begins. The crowd settles, quiet and reflective, as the tune hangs in the air. A saxophone’s bellow enters in, then the bass’s moan, finally the pinpricks of the piano, and the steady rhythm of the drums. It’s Sunday, the song is “Amazing Grace,” and it’s time for church.

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My musical odyssey began at the Hartt School of Music (West Hartford, CT) where I gravitated to Bach, Mozart and oratorio, and often the jazz department. The two genres collided for me at The Riverside Church of New York City where I sang Duke Ellington’s sacred songs, igniting an interest in sacred jazz.

Moving to Chicago, I discovered Dave Brubeck’s vast sacred music collection, and William Russo, who invited me to perform some of his compositions with the Chicago Jazz Ensemble – including the premiere of his final work, Jubilatem, featuring soprano soloist, trumpet soloist (Orbert Davis), and Gregorian chant sung by a choir.

Sacred music informs and supports who I am as a person and as a musician – be it a hymn, a modern jazz composition or an aria from the traditional classical repertoire.  In my experience, jazz in worship easily engages an intergenerational congregation – a congregation that values traditional hymns and spirituals, while embracing them in new jazz arrangements.

Jazz in worship began in earnest for me when I met Andy Tecson, founder of the Chicago band, Churchjazz.  His artistry and vision, along with the budding sacred jazz movement, should not be confused with pop-inspired praise music or even with gospel.  Sacred jazz is jazz, pure and simple.

I joined the band for Fourth Presbyterian’s regular jazz vespers services in 2002, and have worked with them ever since. Trumpeter Bobby Lewis, pianist Bobby Schiff, bassist Stewart Miller and drummer Jerry Coleman – master jazz musicians with thousands of recording sessions, concerts and tours on their resumes with names like Peggy Lee, Frank Sinatra, and Tony Bennett. Tecson and his high school music teacher, Ken Jandes, son of a Chicago big band leader, round out the band on dueling saxophones.

Along with original compositions, Churchjazz regularly swings out with familiar hymns by Martin Luther, the Wesleys, and Fannie Crosby. Bobby Lewis taking the soaring lead on The Church’s One Foundation is stunning.  As Tecson affirms: “There are no [musical] boundaries with the Holy Spirit. The Holy Spirit has opened wide the doors to this music.”

Humanitarian efforts for Churchjazz include concerts for Chicago Food Pantry, Jimmy Carter Center, Clarke Cares Foundation, Wheaton College’s Student Global Aids Campaign, World Vision, and Chicago-based World Bicycle Relief.

Its the close of the service and Churchjazz and I lead the congregation in a joyful rendition of “When the Saints Go Marching In,” with every musician taking a final solo.  Let dancing in the aisles begin.

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